CD REVIEWS – If You Can’t Be Good, Be Good At It!
The reviews are coming in… Living Blues Kolassa’s title track scurries along at a frenetic pace, driven by Jeff Jensen’s scalding lead guitar and floating over a chorus of heavenly doo-wop style background vocals. It’s a good-time song with a nod-and-a-wink message that illustrates Kolassa’s canny ability to match a romping tune with an inspirational […]
MORE >>If You Can’t Be Good, Be Good At It – NEW CD!
October 15, 2020 Release Mick Kolassa and Jeff Jensen have teamed up again to produce Mick’s best album yet! Together they have assembled a heaping helping of Mick’ Free Range Blues. Recording this album in the middle of the Covid-19 pandemic was a challenge, but the guys pulled it off! Bringing together a group of […]
MORE >>CD REVIEWS – Blind Lemon Sessions
The reviews are coming in for Blind Lemon Sessions — Mick Kolassa’s January 2020 Album Reflections In Blue The roles of the songster, singer/songwriter, storyteller, bard, minstrel, bluesman, griot, etc. is one of the most important positions in the business of making music. One major purpose behind having a band performing was to allow patrons […]
MORE >>Blind Lemon Sessions – NEW CD!
January 2020 Release Mick Kolassa began this acoustic album when Thomas Schleiken, of Blind Lemon Records, invited him to do some shows in Germany and record a couple songs for a compilation album. What began as a couple songs kept expanding into this – where Mick got a chance to play some of his old […]
MORE >>CD REVIEWS – 149 Delta Ave
The reviews are coming in for 149 Delta Ave — Mick Kolassa and the Taylor Made Blues Band’s September 2018 CD release… Reflections In Blue Mick Kolassa surpassed my expectations, for which I owe him and the band an apology. 149 Delta Avenue is one of the finest pieces of blues and deep Southern soul […]
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Artist Contact
Mick Kolassa
mimsmick@gmail.com
(662) 801-5831
Booking Contact
Jim Nestor
booking@bluzpik.com
(954) 588-5144
The Blues Foundation
My albums are a labor of love. 100% of the gross profit of my album sales goes to The Blues Foundation, split between two very important programs—The HART Fund and Generation Blues.
